napolicenco artist tuccillo return to the electronic sheepfold in order to pronounce with authority in house music area. take the classic house of chicago, turn into contemporary, provide it of balearic freshness and make it a powerfull club sound. all this is the greatest passion of the italian music producer tuccillo who feel like at home in ibiza between sheperds. the first surprise is resolution which begin 4x4 beat. suddenly it turn in unusual percussion which provide playfull spirit to the track. the tracks deep house progress, with some ad-hoc vocals and submerged melodies wich rise the track in a common and delicious place. the track sounds like broke by these brittle rhythm, constant and rebel which provide it an special and different sound.

kinfolk head to philly for kinfolk004, welcoming committed vinyl rummager and top notch dj billy werner into the fold. this 10 inch is the apparent end product of that rare occurrence where budding producer sends label unsigned tracks that are actually decent. *kick & flutter* is a blinky blue sunrise of a tune, innocent, euphoric and, dare we say, totally balearic... not retro but timeless. *where the sea meets the stones* treads a similar line but with a more incessant acidic undertone. both perfect for chasing sunrises and sunsets... as is traditional you get a soft rocks remix to boot... murmured voices, gentle pulses and psychedelic repetition. did any of the original make it in there? just relax and enjoy it...

arts is an independent label established in 2013 based on sonic dimensions. after the great success of the first release, arts is back with one hell of a legend called samuel l session (sls), he comes with a full leght ep of 4 tracks, depth of research that goes into the sonic dimension in his own unique way.

limited edition of 500 copies.
again we search into west coast skies to an artist reaching for them. to los angeles, to katie gately, still in the throes of academe we find her, playing at new pop forms. this here record in july bloom is a bold and exciting taster of what is in store, around the corner. six tracks of frightening ambition. a prime distillation in computer-music-pop. more alarming – this is her debut release, she has been making organised sound for just over a year.

the seventh instalment in lo sheas series of 10 vinyl only releases on seaghdha. you know by now how this goes - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house. vasquez leads the charge here, less about the legendary captain of the soundfactory, and more the soundtrack to a drug deal gone bad in downtown miami. like her flails around a bowel troubling low end and crisp snare double act, piling on the pressure with an unrelenting groove and some deftly applied distortion. elsewhere 365247 is in more familiar lo shea / seaghdha territory, with some expertly manipulated, atmospheric sampling laid over a spare, shuffle-happy herbertesque workout. finally flash gives us a glimpse into sleepless basement, inhabited by addled humanoids, playing glass bottles.

the first collaboration from seasoned chicago electronic artists k-rad (chris grabowski) and opcode66 (todd mariana), kno-001 is a deep and techy ride through space and sound. *from dark to light* offers a tasteful, musical journey geared toward experienced listeners and late night party people. reminiscent of watching the night sky transform into sunrise, *from dark to light* captures and explores this glorious experience. with simple, driving bass, an edgy monosynth riff and well-crafted sounds, strings help carry the piece through its musical transition as it builds and ends with great energy. *dream about* subtly addresses concepts of isolation and futility as realities. listeners may contemplate the relationship between reality and dreams (and the necessary functions of each) while immersed in slowly-evolving melodies. with many incidental sounds worked into the fabric of the piece, simple and satisfying percussion, and lush effects trails, *dream about* playfully and defiantly transfigures reality into something dream-like.

future ghetto output by mr. corcos quite french filtered bangalter inflected house inspired, but remoderned into a fresh & organic production: buzzing synths, rotative pannings, high pressurizedpumping sound, with a pretty unique esthetic and powerful result.on the a side you have the vocal ironic version of *reliable & immature*, and the instrumental extremized immatool version for quicker djs. on the b side two special revisitations neverless than detroits last man standing & soundvisionary gari romalis. totally in the spirit of the original both garis versions are fresh & bouncy, raw and driving. be childish on this one!

lokee musik goes into round three with an ep from the man of mystery known as anonym. very little is known about the person behind the mask, except some rumours that he hails from the motor city. in true classic techno spirit he prefers to stay anonymous and let the music speak for itself.

visionquest 033 is brought to you by the unique sonic voice of hamburg trio wareika, who weave a distorted jazz looseness into the pulsing and ever-evolving analogue framework of madame scorpion. a teasing raw live composition with a tribal heart, the undulating percussive groove rolls beneath haunting strings and an expanding soundscape until space opens up for a rising melody and florians deep absorbing vocal. veteran german house producer henrik schwarz turns in a magnificently wonky remix on the flip.

as rough as beautiful, the autochtone figure invites us to wonder on the sum and substance of life. he offers us an excursion into untouched sanctuaries, dream areas where music and dance recall sudden flashes of primal recollection. unchained, he teaches us to explore forms, rhythms, balances and shades during the journey of life. from his everlasting roots, we extract the essence to draw our vinyl grooves, developing a playground of audio promenades around the tones of repeated electronic dance gatherings.

with prior releases on semantica and subsist, the enigmatic shxcxchcxsh introduced their unique understanding of industrial-leaning techno to avian with last years 12-inch rjrjrffrjrj. avian is now proud to announce the swedish duos first full-length album.
strgths features 7 scuffed, throbbing industrial tracks. initiated by the drones of slvrbbl, the openers atmospherics soon give way to the more direct, beat-driven lttlwlf. rsrrctn brings dubbier elements into play before leading into lvngwtrs searing melody and acidic dynamics. pctstss accelerates up to the records zenith, before descending back into the darkness for the cold steel rhythms of whtlght. closer lldtmps evolves over the course of its near-12 minute running time to move from unsettling, disorienting tension to a warmer, contemplative climax.
the lp marks avian s first full-length album release and will be preceded by a 12-inch featuring reconstructions by label bosses shifted and ventress, plus label acolyte sigha.

r&s is delighted to welcome alex smoke into the fold with his transfixing new single *dust*. one of the most accomplished and forward thinking artists in electronic music, alex smoke can always be replied upon to push the boundaries, and *dust* is no exception, combining his exquisite synth chords with cavernous dubbed out drum programming and his heartfelt, mesmeric vocals.

limited 2013 repress edition !!
great new downwards remix project from russell haswell. forerunner to a new 10 track lp ! haswells improvised modular synth recordings are given the radical remix treatment. fellow midlander, regis, delivers a beat driven techno noise mulch classic, then, the legendary whitehouse founding member, and more recently cut hands, william bennett, has spatialized the original mono source into a stereo head fucking, brain floss session. the entire b side of this ep is given over to chicagos experimental music master, kevin drumm, who expands the chosen track into a striking 8 minute noise/ambient conundrum

the second in our series of electronic / acid / techno 12inches. this one focusses on artists now living in our adopted home glasgow. limited to 303 copies.

the summer might be almost over, but groovetraxxs is just getting started with an impressive vinyl debut. label boss le babar teams up with fellow belgian pat lezizmo for a delightful piece of underground house music that sets the groove and gets you going on the dance floor. deep basslines, fresh drums and a simple melody are some of the ingredients to *another love*, but it is that oh so special vocal hook that really sets the mood. on the flip, two remixes complete the already-impressive 12 inch. golf clap give the track a more laidback-vibe with their trademark classy smoothness, while scott diaz turns it into a never ending pumping beast, perfect for those peak time moments. this is a release you cant afford to miss!

brooklyns boroughs are contaminated by creators, so the only surprise hearing alex burkats first 100% silk masters was how subtly exquisite he had nailed them down. patient, swelling loops of new age club mist give way to classic chicago figure-8 bass patterns, and dubby, sampled drum fills punctuate before billowing back out into breathy warehouse atmospherics.
his recent ep for mister saturday night explored more upbeat-oriented dynamics but tarot unwinds with a dreamier deja vu—waves of arpeggiated echoes, strobing stereo shimmer, and low acid warble arcing over a limitless subterranean dance floor. this is hypnotic humanist mantric mystery music for the 21st century, for those invested in what the deck has to hold.

frenchman tanov hits the monique musique imprint with 2 techno stompers. dark vocals and a repetitive bassline take control of the a side whilst on the b side a heavy hitting snare leads the infectious groove into a long break with some great effects. essential release in the mm catalog.

an extraordinary house edit by rising star hnny courtesy of new label no rights reserved. a super limited 12 that is already causing a stir in the hands of a few key players this stunning and effective steve reich rework takes the tracks into more dynamic, club-friendly territory without losing any of the magic of the original cut. a super secret weapon, and another all ears sureshot!
same track on both sides - on a without, on b with intro.

slams new three track single flawlessly encaptures the modern drumcode sound. movement trundles forward with snare rolls and funky percussion. the synth line keeps the funky groove rolling along until the snare roll break where it then crescendos effortlessly back into the track. the realms synth line weaves in and out of the beat, filtering up and down to create intensity before unleashing itself into aural pleasure. irrational numbers takes an unusual rhythmic synth pattern and creates a groove that will make the dance floor shuffle. layered with pads, the track uses depth to create a distinctive character

wet play dive into the record world with where good friends meet #1, a show case of artists and sounds from the infamous manchester soiree.

phil weeks ~ crate diggin ~ project has been bubbling under for some time while the french dj/producer carefully selected 30 of the tracks which have been most influential to him over the past 15-20 years. indeed many of the tracks - from artists including dj rasoul, dj sneak, brett johnson, inland knights, rick wade, mood ii swing and lawnchair generals - still feature as heavily in phils dj sets today as they did when originally released. released over three vinyl samplers, * crate diggin* is a window into the musical dna of one of the most respected and prolific underground house artists of this century. as well as being a highly personal project to phil, it offers a rare chance to finally pick up hard-to-find and sought after gems that were only previously released on vinyl.

its been over a year since the planete rouge graced our fair roster, which is why were pleased to welcome terence fixmer back into the edlx fold with bells

la fleur is a dj in the ascendant. now a resident dj at watergate in berlin (and with a brand new ep for their label ready to drop - more on that in minute!) she has balanced her craft and her electronic music production with precision and flair: all of this is the result of hard work and a constant stream of quality gigs across the world. for the uninitiated, la fleur took her first forays into the studio in 2008, with her remix of david ekenbaecks nairu on trunkfunk records but it was her solo debut, the flowerhead ep, for her own power plant label, which really rocketed her into charts and record boxes worldwide.

every label has a >release of doom<, a 12 inch that was an incredible pain in the ass to put together and where everything imaginable went wrong. well this new trevino record was it! i wont go into details but this ep is too good to let bad karma prevail. >gone< has been a staple in my sets ever since i first heard it and >regnie< is possibly one of the best nighttime highway driving tracks (try it!). trevino, is he the best golfer in techno, or the most innovative techno producer on the golf circuit? fact is, im so happy this record finally sees the light of day and would be even happier if youd be into it too...

after a sustained period of enviable productivity, renowned producer mark fell arrives on liberation technologies to further carve out his own singular vision of leftfield electronic music. after reviving the snd moniker with long-term collaborator mat steel in 2008, and releasing a slew of singles under the sensate focus guise, it is here that the mind behind recent sound installation *64 beautiful phase violations* delivers his most visceral work yet, melding angular electronics and skittering rhythms into a sonic palette that is undeniably his own. treading an equally as distinctive path throughout their illustrious career, japanese experimentalists boredoms contribute their own vision of parts 1-7, an inspired pairing that is offered up in advance as a tantalising glimpse into the forthcoming record.

paul ritch is no stranger to drumcode and has returned with an outstanding single featuring three tracks that will dominate dj sets. the first track >run baby run< entertains us with an arpeggiated chord sequence that is accompanied by percussion-like synth sounds before bursting into a thick-layered sequence of sound. the dark and dubby side of the single sees pauls > astral< bring a funky sleazed out groovy track that also uses a discerning melody.

goldffinchs well received model ep from 2012 gets a rework for 2013. on the a side dutch house and techno legend, dexter, turns let me see into a driving, analog beast. while on the flip fresh faced finnish duo femme en fourrure take on the original title track, model, and inject it with their signature gritty and sleazy sound. the remix 12 inch comes as a yellow coloured limited edition, hand-stamped vinyl only release.

the second ep from >shiki kyokai< a new label founded by dj shufflemaster (tatsuya kanamori, kanamori) for the first time on analog disc, this is a 2004 remix by dj shufllemaster as >housedust sound system< of an original, progressive house track with soulful vocals, by the mysterious artist raysbelonging to liquid recordings, a label run by liquid room, one of the most important clubs / music venues in japan. the original house beat is deconstructed into a psychedelic soundscape full of wah-wah and feedback guitars... this is the starting point of what links with the concept of the shiki kyokai label!

female-power! for a long time we have waited for magit cacoon to get this ep together and now that it is finished, we cant wait to smack it into your face! all of the tracks are heart and floor certified, meaning that this release is perfect for any occasion. *deep cancion* is expertly suited for a classic house moment, timeless and beautiful - just like our magit. with *more than time* she is tightening the reins and the old pro ian pooley is holding them steady with his remix. this one will take you deeper. his remix will be published on vinyl as an exclusive edit. just for the friends of the black gold.

good things come to those who wait: the second release on the crazylegs label finally arrives in the form of an incendiary solo debut from nottinghams toyc. thats toy see — a name youre likely to hear popping up quite a bit over the coming months fresh from guest appearances on boiler room and bbc radio 1, ruffer and keyframe represent a bold snapshot of toycs unique sound: two dangerous slabs of light-footed, elastic bassweight that you may well recognise from the sets of jackmaster and ben ufo backing up the originals, an old vs new-skool grime soundclash, if you will — 8 bar pioneer youngstar and thrilling belfast newcomer bloom run amok with versions of keyframe. and finally the inimitable danny native twists ruffer into one of the most menacing pieces of dance music youll hear all year

repress. we are proud to release the first in a series of electronic / acid / techno 12 inchs here. the 12inchs will delve into the netherworld of original dance music referencing detroit techno, chicago acid trax and the danceable end of noise and early industrial. on this the maiden voyage we are joined by...

the ep kicks off with night escape has a melodic synth line coupled with the funky bass line to give the track a groove that will be an essential in everyones crate. the breakdown leads the listener into a different direction before coming back around and dropping into a funky groove. the second track press start which uses a sub bass line that will tear through dance floors. rhythmic percussion accompanies the bassline before powerful stabs are introduced to the mix to give the track a unique character

three years ago, baths dropped his startlingly beautiful debut, cerulean. released on anticon, the record blurred the line between post-modern pop and the la beat scene with devastating emotional clarity. its tone was as celestial as its album title, taken from a shade of blue typically used to describe the sky.
cerulean earned year-end best-of recognition from pitchfork and the onions a.v. club and established chatsworth-raised will wiesenfeld as one of the finest young composers (and falsettos) in los angeles. his sophomore album, obsidian, finds him emerging as one of the most complete artists of his generation. as you might expect, the name hints at darker overtones. the mood is shimmering and pitch-black, the lovely blood flow has turned into lava.

in a feverish blur of looping goodness, shimmy sham sham delivers the fifth installment in its on-going celebration of classic funk and disco, paying tribute to the building blocks of dance music by fashioning them into more dynamic shapes to suit the needs of the modern dance.

nice price deal !!! no-neck blues bands pat muranos rigorous & freewheeling cavalcade of bizarre sound events baffle & beguile. 21-min a-side is a fungal, fractured, dream-fever soundtrack. 20-min flip starts like a minimal techno banger & morphs into ruptured ambiance

daren agers debut vinyl release! daren is a very well known and respected analog synth/modul teacher on the internet. having his own youtube channel with 2.5 million clicks we thought it was time to introduce this genius to the vinyl lovers as well! darens main influences come from the likes of drexciya, model 500, derrick may and carl craig. when listening to summer in detroit you can feel the influences from these heroes. there is a warm and beautiful detroit flavor all the way thru the track. on the b-side you will find halcyon days which is a acid-house track that makes you want to jump into the time capsule and travel straight back to the warehouse in chicago or the hacienda in manchester

tone control music proudly introduces thatmanmonkz 2nd ep, overproof. this follow up to debut ep, the man continues monkz exploration into detroit, disco and soul influenced deep house. lead track, overproof takes mid-tempo, modern boogie from soul into darker territories, while right on gives a nod to detroit old and new, before closing out in percussive yoruba style with long time vocalist collaborator, pete simpson. throughout this ep thatmanmonkz utilises his mpc, rhodes, bass guitar and a multitude of synths to raw, rocking effect. martin atjazz iveson lends his hear on mastering duties to complete another solid ep in the series.

villem & mcleod return to samurai red seal for another outing to follow their successful pairing on hush for the label in 2012 which was part of one of the labels biggest 12&#8243,,,s ever. this time both sides of the record are collaborative pieces and both tunes are overflowing with glistening summer vibrations. another star has been heavily supported by the likes of marcus intalex (who debuted it on his soul:ution radio show), london elektricity, and of course friction who has been hammering the tune on his bbc radio 1 show, as well as picking it up for inclusion on his forthcoming fabriclive cd. keeper of the sun continues the theme with every element honed to perfection, a tune that transports you smiling into the sunset. further dj support already in from hype, spectrasoul, nu tone, die, bryan g, kasra, tokyo prose, hybrid minds & more to come..

with the world a decade into the 21st century, detroit born and chicago breddj / producer tim baker delivers a sonic explosion on his 4th studio album, >dreams of fuzzy animals & robots<

fresh from an inclusion on spargel tax vol 2, mysterious producer lily drops his first full 12 inch, on idle hands this summer. a-side *trumpets at dawn* is a latin techno roller, complete with steel drum melody, tough percussion and driving synths. b-side *machine dreams* takes the tempo down a notch. with growling bass and dubbed out hits developing into a grinding rhythm.

this is a piece of estonian underground musics history. more than 20 years ago, in estonia, hypnosaurus were pioneers of deep house and techno, the first ones to have gone with this new strange rhythmic music into the studio and into the dark basements of tallinn.the remix is by the strange and wonderful chicago producer hieroglyphic being. this is soul music of rusty funk-robots. for this remix he is said to have tried out new methods of dealing with sounds, switching them on and off.

canadian artist carlo lio makes his first appearance on the saved imprint, delivering his unique sound with >what it is<. possessing a lot of energy with its warm, rolling bass line, the track builds and then moves into an intense drop, characterised with the twisted vocals, oscillating effects and trippy strings. over on the flip, french house producer phil weeks demonstrates why he is one of the best producers in the game, delivering a remix that seals the package of perfectly

special nice price deal!
- slightly harder sound this time out, with a deep and dark tech house vibe rich with ominous synths and engaging effects that subtly build and build. flip for an even more techno slanted sound with manic synths, and detroit flavored rhythms that burst into an energized tech house finish. these guys are definitely fine tuning their sound

> cant wait<,is reminiscent of some of vonstrokes deeper classics while also pushing further into new territory. a sense of restraint and release play games throughout this melancholy tune with a fat bassline locking down the groove. >cant wait< has fleeting moments of euphoria that are both surprising and uplifting especially for a summer open air crowd. coming up strong on the b-side, >the clapping track< shows us the fun side of vonstroke where he cuts apart 16 claps and then brings them back together - building up to a standing ovation as a resonate organ sounds. this house anthem has already been destroying the dirtybird ibiza residency and summer festival circuit as well.

copenhagen based horse on horse will release its first ep with the copenhagen native vladimir. vladimir is sucking us right back into those parisian house parties, we have all been dying to reenact. strong sample-based melodies, raw production and nostalgic vocals! no questions asked! we say: > m for mike<! horse on horse feels like a high tech missile from the future leaving the orbit of planet earth on its way to destroy a meteor to save human kind!

midnight moves. thats what comes to mind when you listen to cale parks s n1, preferably at an hour long after dusk has settled around you in some beautiful, insomniac city. parks finds – or more aptly, seeks – beauty and grace in ambience and shadows. n1 starts as pure atmosphere – it feels at first like a sort of lovely sonic nothingness slowly taking form – before growing into the darkly lit, gorgeous moodscape it later becomes. a sensual bassline, a pulsing downbeat, a cinematic piano, strains of italo disco, and the sensation of breezing down a lightless road. if you could make sensuous shapes of the night – imagine kneading the dark itself – it might, at the very best, feel like this. the task of remixing parks s original is taken up by french duo paradis, who can otherwise be heard making music on tim sweeney s beats in space label. the paris-based producers shine a brightening light on parks s dusky creation, quickening its pulse and trading in its darkwave undercurrents for enlivening techno and house. theres an element of floating here – a dreaminess in the rhythms, an astral aspect to the keys beaming through the beats. and with the addition of vocals, sung in french – a pop finishing touch on a song that already feels like an earworm – the transformation is complete. this excellent introduction to cale parkss music is also his debut release on the hakt label.

miles sagnias british bastion of deepness, aer, returns with the life ep, which sees the label foray into fresh territory. tokyos tomi chair opens proceedings with a sharp piece of deep techno called sunstroke which is as uplifting as it is tough. si tappenden appears next under the newly established ourra alias, contributing the dawn acid driver marine morning which is an inspired piece of dancefloor poetry. finally rounding off the ep is miles sagnias ~elements~. after years of experience as one of the uks finest underground djs, sagnia is on point once again. a beautifully emotive track, that pulls on the heart strings and exhibits a serene gentility that works alongside the rhythm

following the success of the consumer ep by fellow label owner james johnston comes the praise ep by alex agore, and its a true return to form for him on no matter what. the record opens with the title track >praise< - an inspired tribute to gospel music, keeping all the soul but reimagining it into something more infectious. uplifting keys combine with vocals that will have you trying your best to sing-a-long, over a bass groove that holds it all together. >falling< is a slower affair, with its dream-like chords, airy synthwork, cowbell hits and seamless hats. a perfect track to start a night or to end one. the b-side completes the package with two undeniable house jams. you will soon realise how much you like >theres no love< when its skippy vocal is stuck in your head, hours after hearing it for the first time. >i can feel you< closes out the ep on a deeper note which will have you thinking of moments when the sun is about to rise, yet the night is far from over.

rsi is a new label affiliated to the tusk wax empire, and for their first release they look to the unexpected choice of the posthuman duo of rich bevan and josh doherty. hecatism sees the pair wander into deeper corners than their music is usually known for, trading electro breakbeats for a mid tempo production filled with resonant textures and vocal chunks that could nominally be described as house, while helioshock sees them break out the 303 for some heady acid grooves. the remixes of the title track come expertly chosen also, with disco bloodbath resident damon martin taking the track even deeper into something approaching balearic groove, and pork intl, who adds a distinctly more interstellar flavour to the original with its danny wolfers-style analogue house chords.